We realized we were happening, but my self-destructive nature was also right there.” But afterwards, I didn’t really want to enjoy the moment. It was the first time we realized we were a successful group. “I have to take responsibility for that,” he adds contritely.įieger traces the beginning of the end to as far back as the Knack’s first big hometown show in 1979, following the release of Get the Knack. ![]() We came up through the club scene and had legitimate songs, real musicianship.” The fatal flaw, he says, was the poisonous, ultimately self-destructive cynicism evident in promotional gambits like the group’s blatant Beatles-on- Ed Sullivan pose in the photograph on Get the Knack‘s back cover. To this day, Fieger, who just turned thirty-four, defends the Knack as “a legitimate rock & roll band from the streets of Hollywood. Although the band reunited to cut Round Trip, the Knack gave its final performance at an Acapulco nightclub in December 1981. By November 1980 the Knack had fallen apart. The Knack’s strict no-interview and no-TV policy backfired critics dismissed the band’s Beatlesque packaging as shallow hype and attacked singer-guitarist Doug Fieger for the sexist arrogance of his lyrics. The records stopped selling, and the girls stopped screaming. The band’s brash sound and Fab Four affectations seemed to incite Knackmania overnight. ![]() ![]() Its debut album, Get the Knack, sold 5 million copies, while “My Sharona” blared on car radios throughout the summer. For about eight months in 1979, the Knack was a pop sensation.
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